Showing posts with label Quantum Physics. Show all posts
Showing posts with label Quantum Physics. Show all posts

Daily Science Journal (Feb. 10, 2008) — For Kansas State University physics professor Uwe Thumm, confirmation of a theory about the behavior of small molecules became music to his ears -- literally. He and colleagues in Heidelberg, Germany, have shown how a hydrogen molecule responds to laser pulses by using the changing musical chord created by the molecule's vibrational motion.

Researchers in Heidelberg visualized the development over time of molecular resonance. The distance between the two nuclei (R) in the heavy hydrogen (deuterium) ion D2+ is plotted against the time. After approximately 100 femtoseconds, the wave packet, i.e. the location of the nuclei, starts to become hazy, after 400 femtoseconds there is a "revival" and the wave packet is put back together again. (Credit: Max Planck Institute for Nuclear Physics)

Thumm is a member of K-State's J.R. Macdonald Laboratory, where he is among several researchers who work on the properties and behavior of atoms and small molecules.

For decades, researchers had used the Macdonald Laboratory to make atoms and molecules collide with particles. Thumm said much of what scientists know about atoms and molecules is based on such collision experiments. To predict and explain what happens in these collisions, a large group of experimental physicists works closely with Thumm and two other theorists. The theorists use computers, make models and crunch numbers with the hope of producing results that are compatible with what experiments show.


Thanks to improvements in laser technology, around 1999 the Macdonald Laboratory researchers realized that they could transfer a lot of their expertise in atomic collisions to study in detail what happens when atoms and molecules get irradiated by very intense laser light. The new laser systems in the laboratory offer some advantages over the big particle accelerators, Thumm said. The laser pulses offer more control and can be made so short that the researchers now routinely observe the motion of nuclei inside small molecules in time. In addition, the laser pulses' peak intensity is enormous and would equal all of the sun's light focused onto a small spot of the size of a postage stamp or smaller.

Motivated by these opportunities, Thumm and his colleagues became curious about figuring out what would happen if the smallest and simplest molecule, hydrogen, were exposed to such ultra short and intense laser pulses. Together with his postdoctoral collaborator Bernold Feuerstein, Thumm developed a model and did calculations to determine how laser pulses influence the motion of the two protons in the hydrogen molecule.

"The short answer is that the laser pulse either makes the molecules vibrate more violently or blows them apart," Thumm said. He said this wasn't surprising because in the hydrogen molecule, two protons are connected by two electrons that function like a spring. When hit with the laser pulses, the protons oscillate back and forth.

Although this model may be easy to imagine on a large scale, Thumm said particles behave differently at the quantum level. This means that determining the locations of these oscillating protons isn't easy. Thumm described determining the protons' movements after being hit with the laser like what happens if you drop a marble in a bathtub. Looking at the circular ripples of water in the center of the tub, it's pretty easy to tell where the marble was dropped in. But when those ripples bounce off the sides of the tub, the wave pattern changes shape, and it becomes harder to tell where the marble was dropped. The wave gets delocalized. Thumm said the same thing happens to the protons not in a matter of seconds, but in a matter of femtoseconds -- that's a billionth of a millionth of a second. After about 60 femtoseconds, it's impossible to tell where the protons are.

"You quickly loose track of what the distance between the two protons is," Thumm said." All you can say is that they have a certain likelihood of being at a certain distance. This is in agreement with the bathtub experiment: Seconds after the marble was dropped, you can't tell where exactly it plunged in."

But things work differently at the quantum level, and the researchers were surprised that about 600 femtoseconds after being hit with the laser, the distance between the protons again becomes well defined. "We call this a revival of the original motion of the protons," Thumm said. "It's not going to happen in the bathtub, but it happens at the quantum level."

Thumm and Feuerstein published their theoretical prediction in 2003. Thumm said that they were pleasantly surprised when experiments at the Max-Planck Institute in Heidelberg, Germany, in 2006 confirmed the revival described in their model. "The agreement between the new experiments and our model was almost perfect and exceeded our expectations," Thumm said.

Feuerstein had since moved to Heidelberg, where he and his group of researchers continued to collaborate with Thumm's group at K-State. Excited about the success of their model, they began to analyze the molecule's vibrational motion by breaking it down into its various frequencies. Each frequency being like a note in a chord, the frequencies told researchers how the protons were behaving. However, the frequency of these molecular vibrations is way above the audible range. The two researchers share an interest in music and had collaborated musically before. So when it came time to illustrate the revival, they decided the best way to do it was to scale the frequencies down to 1,000 Hertz, which is in the range at which the human ear hears best. "This way you can listen to the vibrations and hear the revival. In the same way sound is analyzed and decomposed, we decomposed the vibration with regard to the frequencies," Thumm said. Their result, a changing musical chord coupled with a movie illustrating the protons' vibrations can be heard and viewed at http://www.mpg.de/video/FilmundoAudio-KdM.wmv

Thumm said researchers hope to be able to do the same thing for more complex molecules like water or methane. Just as a C Major chord sounds different from a d minor chord, Thumm said other molecules also would have their own unique sound. Thumm and Feuerstein's most recent work was first published last fall in the Physical Review Letters. Their research was supported by the National Science Foundation, the U.S. Department of Energy and the Max-Planck Society. Thumm said such basic research supports the long-term goal of applying lasers to steer chemical reactions. The hope is to largely increase the efficiency of chemical reactions by enhancing desired reaction pathways with lasers, he said.

Adapted from materials provided by Kansas State University.



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Daily Science Journal (Feb. 6, 2008) — When the world's most powerful particle accelerator starts up later this year, exotic new particles may offer a glimpse of the existence and shapes of extra dimensions.

A new particle accelerator, the Large Hadron Collider, is scheduled to begin operating later this year near Geneva, Switzerland. (Credit: CERN)

Researchers from the University of Wisconsin-Madison and the University of California-Berkeley say that the telltale signatures left by a new class of particles could distinguish between possible shapes of the extra spatial dimensions predicted by string theory.

String theory, which describes the fundamental particles of the universe as tiny vibrating strings of energy, suggests the existence of six or seven unseen spatial dimensions in addition to the time and three space dimensions that we normally see.


Much as the shape of a musical instrument determines its sound, the shape of these dimensions determines the properties and behavior of our four-dimensional universe, says Gary Shiu, lead author of a paper appearing in the Jan. 25 issue of Physical Review Letters.

"The shape of the dimensions is crucial because, in string theory, the way the string vibrates determines the pattern of particle masses and the forces that we feel," says the UW-Madison physics professor.

Zeroing in on that shape should further our understanding and predictions of our four-dimensional world, Shiu says. "There are myriad possibilities for the shapes of the extra dimensions out there. It would be useful to know a way to distinguish one from another and perhaps use experimental data to narrow down the set of possibilities."

Such experimental evidence could appear in data from a new particle accelerator, the Large Hadron Collider, scheduled to begin operating later this year near Geneva, Switzerland.

In an accelerator, smashing atomic nuclei head-on at nearly the speed of light can briefly create new high-energy and highly unstable particles, which quickly decay into a shower of detectable lower energy ones. Characteristic patterns of decay serve as fingerprints of the fleeting exotic particles and, possibly, the shape of the unseen dimensions.

With colleagues Bret Underwood and Kathryn Zurek at UW-Madison and Devin Walker at UC-Berkeley, Shiu shows in the new study that the signature patterns from particles called Kaluza-Klein (KK) gravitons can distinguish between different proposed extra-dimensional geometries.

How" Shiu compares the effect to a darkened room in which patterns of sound resonating off the walls can reveal the shape of the room. Similarly, KK gravitons are sensitive to the extra-dimensional shape and, through their behavior and decay, may reveal clues to that shape.

The current study shows that, in simulations, even small geometric variations lead to visible differences in KK graviton signatures, Underwood says.

Based on these results, Shiu says, "At least in principle, one may be able to use experimental data to test and constrain the geometry of our universe."

Last year, Shiu and Underwood reported that clues to dimensional geometries might also be visible in patterns of cosmic radiation left over from the Big Bang. The new work complements the previous approach, they say.

"The more hints we get, the better idea we have about the underlying physics," says Shiu.

Adds Underwood, "If the cosmology and particle physics data agree, it's an indication we're on the right track."

The work was supported by the National Science Foundation, the U.S. Department of Energy, the Research Corporation, and a University of California Presidential Fellowship.

Adapted from materials provided by University of Wisconsin-Madison.



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Daily Science Journal (Jan. 31, 2008) — The rushing floodwaters in Evan Almighty, the heaving seas of the latter two Pirates of the Caribbean movies and the dragon's flaming breath in Harry Potter and the Goblet of Fire all featured computer-generated fluids in spectacular action. The science behind those splashy thrills will be recognized Feb. 9 with an Academy Award for Ron Fedkiw, associate professor of computer science at Stanford, and two collaborators at the special effects firm Industrial Light and Magic (ILM).

A computer-generated scene shows off the fluid simulation technology developed by computer science Associate Professor Ron Fedkiw, former students, and collaborators at Industrial Light and Magic. (Credit: Frank Losasso, Jerry Talton, Nipun Kwatra, Ron Fedkiw / courtesy of Stanford University)

"The primary work started a few years ago when we developed a system designed for the female liquid terminator in Terminator 3," Fedkiw said. "Almost immediately after that it was used in the first Pirates of the Caribbean movie to simulate the wine that the pirate skeleton was drinking out of the bottle in the moonlight. Things like the sinking ship in Poseidon and the large water whirlpool in Pirates of the Caribbean 3 are good examples of the system in action."


The system, co-developed with ILM scientists Nick Rasmussen and Frank Losasso Petterson (a former doctoral student of Fedkiw's), uses a method of simulating low-viscosity fluids such as water and fire, as in the explosions in Star Wars: Revenge of the Sith.

Contributing to a Star Wars movie was a particular honor for Fedkiw.

"George Lucas made Star Wars and, well, that changed the world for a lot of us," he said. "It's amazing what a movie can do to a civilization. I can only be grateful that he made three more of them and that I started working with ILM just in time to get a screen credit on the last one."

Lifelike liquids

Computer graphics experts typically have used particles and complex blobs to represent water, but these can give rise to unrealistically lumpy or grainy surfaces. Alternatively, they have used a technique called "the level set method" that gives a smooth surface representation, but some water is "under-resolved" and simply disappears when it breaks down into small volumes, as in a crashing wave.

The key innovation behind Fedkiw and former doctoral student Douglas Enright's novel "particle level set method" was to mix the use of particles and level sets so that studios could maintain smooth surfaces wherever possible and still keep all the fluid via the particle representation.

"As an added bonus, the method automatically generates spray particles and bubbles in under-resolved regions where the level set [method] loses mass and volume," Fedkiw said.

Fedkiw gives a lot of the credit to his colleagues for the system used to make the movies: "Nick made the system and Frank made it rock."

The effect's power is clearly evident in a movie on Fedkiw's website. There, gigantic waves crash against a lighthouse and produce huge sprays. In addition to incorporating the particle level set method, the rendering also uses an additional method to simulate how the spray interacts with itself and the surrounding water.

Such integrations are indicative of a future direction of Fedkiw's computer graphics research.

"This year we built a system that allows two-way coupling between rigid and deformable bodies, so we can fully physically simulate bones moving around under flesh—interacting with the environment," he said. "Another main result is a two-way, solid-fluid coupling method that can be used with it, so the environment can be water; that is, we're going to be simulating people swimming."

Of course the more immediate future calls for a trip to the Beverly Wilshire Hotel in Beverly Hills for the Scientific and Technical Academy Awards presentation Feb. 9. Fedkiw says he'll probably go to pick up his plaque.

"After wearing sandals for the last two years—even in the Lake Tahoe snow— it's going to be tough to go black tie," he said.

Adapted from materials provided by Stanford University.




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